The fact that no empirical evidence has been found so far to support these intuitions raises serious concerns regarding the nature of the evidence that has been used in typological and theoretical work. Polish, Spanish, and Greek are languages with contrastive primary stress, whose position in individual words is not in question and where, in addition, some phonologists have postulated the presence of rhythmic, alternating secondary stresses on the basis of their intuition. Further experimental work on Spanish secondary stress has also reported lack of acoustic evidence (Prieto and van Santen 1996 Díaz-Campos 2000). Thus, Dogil and Williams (1999) did not find phonetic evidence for rhythmic secondary stress in Polish or Spanish, and Arvaniti (1992, 1994) also failed to find evidence for rhythmic stress in Greek. It is somewhat perplexing, then, that, in the case of several languages that have been taken to possess such rhythmic secondary stress systems, phonetic investigation has failed to find evidence for them. Hayes (1995: 33), in fact, focuses primarily on such rhythmic systems for his theoretical proposal, stating that “these are the systems that arguably are of the greatest interest from a metrical perspective”. Stress systems with rhythmically alternating secondary stresses have played a major role in the development of metrical stress theory (Halle and Vergnaud 1987). The overall patterns of loanword harmonization find convergence with certain characteristics within Maxakalí phonology itself. These latter effects uphold the role of prominent positions in maintaining contrasts within loanword phonology. Word-initial consonants always retain their nasality or orality from Portuguese, and stressed vowels always preserve their nasality. The results reveal that nasal harmonization, modeled as set of markedness constraints, is greatly enforced within syllable rimes, and strongly enforced within syllables, but shows little role for syllable-to-syllable harmony, demonstrating that harmonization is preferred within tighter prosodic domains. Employing Ma圎nt modeling of quantitative trends enabled the comparison and analysis of certain recurrent trends, even if not exceptionless, and the potentially additive effects of their interaction. With Nevins, our clients can rest assured that they will receive the utmost attention and the best in creative workplace solutions.We examine the patterns of loanword adaptation in Maxakalí, a Macro-Jê language of Brazil, in importing loans from Brazilian Portuguese, with respect to the introduction of nasality and nasal harmony, based on a corpus of 18 speakers. We achieve our mission by focusing on designs that are clean and functional, offering a multitude of material options, and integrating technology seamlessly into our product lines. Our mission is clear: deliver the most comprehensive furniture solutions to our clients, solutions which promote increased productivity and creativity in the workplace. And through our constantly updated product line, we are able to consistently stay at the forefront of product innovation. Tables for conferencing, training, and dining in addition to comprehensive public seating and creative lounge setting seating and accessories make our collections truly stand out within the contract furniture industry. No matter the project our team is highly committed to providing attractive and competitive solutions.Ī standout attribute of Nevins is our sheer breadth of product offerings. The Nevins team is composed of individuals who strive to provide nothing short of the best service for our clients – creating the ultimate team atmosphere for our still family-owned business. Since our founding, this simple belief remains our credo and has driven us through multiple successful decades and into the future. Nevins was founded by Brian Nevins in 1979 with a simple belief: solutions by choices.
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